An outfit called Wale´Kerü weaving between knowledge and color Un atuendo llamado Wale´Kerü tejido entre el saber y el color

Abstract

This document exposes the creation research practice as a methodological tool to compare references from the sign and the color, which are adhered to a symbology of living indigenous cultures in the Colombian territory, expressing the myths, the cosmogony and the kinetic art in an experience that concludes an outfit 100% non-biodegradable material and whose code refers to generating environmental awareness. Therefore, three indigenous cultures are referenced where their cosmogonic experiences, their meanings and rites to be crossed are exposed, under the contents of kinetic art that are expressed by the graphic designer and one of the lines of research called “Chromoexpansión”, by the artist Cruz Diez. In this way, we present approaches abstracted from the inquiry, the descriptive category from chromatic aspects of the product; work-creation, and a comparative analysis, which is collated under a formal concept and a graphic line, which exposes the theory, practice and participation in the call for the Costume Museum and international companies.